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Zahajovací koncert 32. sezony Prague Philharmonia, Simon Trpčeski - klavír & Emmanuel Villaume
Opening concert 32. Season Prague Philharmonia, Simon Strojeski - Piano & Emmanuel Villaume
Event by: Prague Philharmonia
Location: Rudolfinum, Alšovo nábřeží 12, Staré město - Praha 1
Tickets: Get tickets
About event
Program: opening concert 32. Concert season:
Wolfgang Amadeus Mozart
Magic flute, Opera foreplay, KV 620
Camille Saint-Saëns
Concert for Piano and Orchestra No. 5 F major " 103
Joseph Haydn
Creation, Hob. 21: 2, Introduction to the oratorio - representation of chaos
Franz Schubert
Symphony No. 4 C minor "tragic", d 417
The opening of the season is also a social event. So we naturally open the season with our chief conductor Emmanuel Villaum. The orchestra under his leadership will play the composition of the authors, which can be said to be very close to Prague Philharmonia players. Their brilliant game and compact sound are perfectly suited to the often brightened, but at the same time quite complex foreplay to the famous magic flute. At Mozart, we will not leave the music of Viennese classicism - after all, this style has been a long -standing point of interest of our body. At the end of the eighteenth century we will return in another overture, this time to the most famous sacral work of Joseph Haydn, the oratorio of creation. Moll. Saint-Saëns.
Wolfgang Amadeus Mozart
Magic flute, Opera foreplay, KV 620
Camille Saint-Saëns
Concert for Piano and Orchestra No. 5 F major " 103
Joseph Haydn
Creation, Hob. 21: 2, Introduction to the oratorio - representation of chaos
Franz Schubert
Symphony No. 4 C minor "tragic", d 417
The opening of the season is also a social event. So we naturally open the season with our chief conductor Emmanuel Villaum. The orchestra under his leadership will play the composition of the authors, which can be said to be very close to Prague Philharmonia players. Their brilliant game and compact sound are perfectly suited to the often brightened, but at the same time quite complex foreplay to the famous magic flute. At Mozart, we will not leave the music of Viennese classicism - after all, this style has been a long -standing point of interest of our body. At the end of the eighteenth century we will return in another overture, this time to the most famous sacral work of Joseph Haydn, the oratorio of creation. Moll. Saint-Saëns.