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QUEENS OF THE STONE AGE - Berlin, Stage Theater des Westens
Event by: Trinity Music, Area One
Location: Theater des Westens, Kantstraße 12, Berlin - Bezirk Charlottenburg-Wilmersdorf
Tickets: Get tickets
About event
Queens of the Stone Age published the realization of a dream on June 5, more precisely: "Alive in the Catacombs", the audiovisual documentation of performance in the eponymous, famous Parisian catacombs. "Alive in the Catacombs" was produced in July 2024 and shows the band how you have neither been seen nor heard. For the extraordinary opportunity, they had put together a special setlist and completely reconcurred the songs according to the occasion. The performance finally took place between the remains of millions of people-"the largest audience we have ever played," says Josh Homme-and is also the most intimate set that the band has ever recorded.
The grandiose Wüstenrock legends, founded in 1996 by their charismatic front man, who recently with the new record "In Times New Roman ..." Previous corners, edges and without any compromise have always been the result of a multi -dimensional musical unity that grows beyond the genre that they have created. Qotsa is too productive, ambitious and just brilliant to be assigned to a categorization. In the subtext of this radical sound, however, there is also an unmistakable reaction to the current music scene, the hype of Autotune, aseptic studio productions and empty texts. This bite found a powerful, uncompromising reverberation in her shows.
As Hommes successor band on the Kyuss, which once founded the Stoner Rock, the queens have been among the leading rock bands of the present since their third work "Songs for the Deaf" from 2002. Many other albums such as "Rated R", "Era Vulgaris" or "... Like Clockwork" are considered young classics of powerful rock music, the band established itself as one of the most intense live acts in the Globus.
Now, with "Alive in the Catacombs", add another extraordination that you present live within a few less shows. One of them will take place in Germany - on October 23 in Berlin. Here, Queens of the Stone Age show up in its most elementary form: Josh Homme, Troy van Leeuwen, Michael Shuman, Dean Fertita and Jon Theodore, supplemented by a string trio and an instrument that ranges from chains to chopstick percussion. The balance of relevance and intensity in the concert film is as intensive as it is as part of the upcoming live shows on this special occasion. The beauty of the matter lies in its tornness - inside and outside. Josh Homme has never been physically more vulnerable and yet so much in his element.
The grandiose Wüstenrock legends, founded in 1996 by their charismatic front man, who recently with the new record "In Times New Roman ..." Previous corners, edges and without any compromise have always been the result of a multi -dimensional musical unity that grows beyond the genre that they have created. Qotsa is too productive, ambitious and just brilliant to be assigned to a categorization. In the subtext of this radical sound, however, there is also an unmistakable reaction to the current music scene, the hype of Autotune, aseptic studio productions and empty texts. This bite found a powerful, uncompromising reverberation in her shows.
As Hommes successor band on the Kyuss, which once founded the Stoner Rock, the queens have been among the leading rock bands of the present since their third work "Songs for the Deaf" from 2002. Many other albums such as "Rated R", "Era Vulgaris" or "... Like Clockwork" are considered young classics of powerful rock music, the band established itself as one of the most intense live acts in the Globus.
Now, with "Alive in the Catacombs", add another extraordination that you present live within a few less shows. One of them will take place in Germany - on October 23 in Berlin. Here, Queens of the Stone Age show up in its most elementary form: Josh Homme, Troy van Leeuwen, Michael Shuman, Dean Fertita and Jon Theodore, supplemented by a string trio and an instrument that ranges from chains to chopstick percussion. The balance of relevance and intensity in the concert film is as intensive as it is as part of the upcoming live shows on this special occasion. The beauty of the matter lies in its tornness - inside and outside. Josh Homme has never been physically more vulnerable and yet so much in his element.