PANOPTIKUM

"You can enter the world of curiosities and peculiarities. You almost touch the elephant man, snake woman or Siamese twins. You will have real spells and wizards. 2019/2020
The nomination for the Thalia Award 2020 Or Freak Shows were traveling companies passengers from the city to the city and exhibiting to admire curious objects, skills and, above all, so -called "very special people". To exhibit those who had nowhere to go was a hearty source of income for the owner - Impresaria. In the society of hungry for human suffering, which the whole family can entertain, a queue of venerable citizens was stretched before the treasury. And what if the famous show ceases to be attractive, wandering in remote places brings smaller profits and indifferent audiences? What if the performers are no longer the subject of a profitable business, it becomes a burden and needs to be rid of it? In what situations does the human soul lose value?
---------------------------------- Objects, skills, and above all - People Called "Very Special People". At the time when freak shows were at its Greatest Glory, it was the only possible refuge for those personality that Society Had Rejed and Refused for Fear of Unknown and Different. Exhibiting Those Who Had Nowhere to Go Was and Powerful Source of Income for Their Owner, I.E. Impresario. What if the performer is no longer the subject of profitable business, Becomes and Burden, and needs to be ridden of?
___________________________________ Acher
Scenography: Jakub Kopecký
Costumes: Jakub Kopecký, Simona Rybáková
Light Design: Michal Kříž, Jakub Kopecký Lukas Lizama Garrido, Fanny Basista
Sound: Petr Taclík
Producer: Lenka Vagnerová Hančovský
Acknowledgments: Vladimir Javorský
---------------------------------- Hrabánková, Vanda Šípová, Paula MOREJON, Michaela Kadlčíková/Tereza Holubová, Adam Sojka, Leo Terris, Lukas Lizama Garrido
Scenography: Jakub Kopecký
Costumes: Simona Rybáková, Jakub Kopecký Michal Kříž
Sound: Petr Taclík
Producer: Lenka Vagnerová & Company
Coproduction: Prague City Theaters Javorsky
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"The Prague viewer has once again the opportunity to see a work he will not forget. It is bitter as well as intoxicating. He won't let you breathe. And they will entertain those who want to catch only his circus dramaturgical lines. Magic tricks do not fit with those commonly used in the circuses and usually move them up a level. You almost touch the elephant man, snake woman or Siamese twins. There are real spells and wizards. You will see what you haven't seen before, singing head, revived virgin and other rarities. The money for the ticket is worth it, because Lenka Vágnerová's panoptics will leave with goose leather. " Zone
"The new title of the repertoire of the LV & Company Panoptiky is a picturesque noir affair staged as an epic cabaret fresco. "
" in the directorial orchestration of Lenka Vagnerová managed to create a magical atmosphere, which, together with the dragly sarcastic music of Ivan Acher and other components, frames the fates of the characters of Panoptik, which the Libretto of Cabaret leads from the submission to the Reverages. Lenka is an optimist and I thank her right for the courage. Vanda Šípová). "
" Vagner submits her work, wants to say and communicate. "Jana Vacova/dance news
" Lenka Vagnerová again confirmed that we have a great choreographic talent, gifted and strong theater vision, which has a grotesque view of the world with black humor and understanding art as a moral commitment. As it has in Naturel, she created a satisfactorily populated production, bringing one situational card after another, intelligently funny, slightly disciplinary and providing fairy -tale satisfaction. Her works arise from concise formulations of urgent questions she asks to himself and the world. Questions of often hurtful. The last one, which has become the theme of the Panoptiky, presented in the comedy. "Nina Vangeli/Theater Newspaper
----------------------------------- IT IS BITTER AS WELL AS INTOXICATING. It Will Not Let You Breathe, It Will Entertain Even Those Who Would Like to See Only Its Circus dramaturgical line. Magic Tricks Do Not Match Those Commonly Used in Circuses. HERE, They USUally Move Them Up. You Will Almost Touch An Elephant Man, and Snake Woman, Or Siamese Twins. There Will Be Real Spells of Magicians Waiting Just for You. You Will See What You Have Never Seen Before, A Singing Head, and Living Doll, and Other Rarities. IT WILL PAY OFF BECAUSE YOU Will Leave Lenka Vagner's Panoptiky with Goosebumps. "
" IT Invites The Audience to and Mystical, Decadent, Very Visually Compact Freak Show, Above WHICH The Magical Theatrical Dust of Something Ancient and Magical Hones. " New Title of the Lv & Company Panoptiky repertoire is and Picturesque Noir Performance Staged AS and Narrative Cabaret Fresco. "
" Lenka Vagnerová Components, Frames the Fates of Panopticon Characters Who Lead the Cabaret libretto from enslavement to rebellion. Lenka is an Optimist and I thank games at the Beginning for Her Courage. . "
" Vagner Alternates The Back and the Front of the Freak Show, Giving The Audience Even The Purely Entertaining Part, Dance-Styled Fights, Magic Performance and Top Magic From the Opera World). Theatrical Vision, Which Combines and Grotesque View of the World with Black Humor and an Understanding of Art As and Moral Commitment. AS in Her Nature, She Has Created and SatisFactorily Populated, One Situation Card After Another, Intelligently Witty, Slightly Reprimanded, and Providing Fabulous SatisFace. "
" choreographic Lenka Vagnerová Does Not Rely On Lucky Chance in Her Work. Her Works Are Based on Concise Formulations of Urgent Questions That She Asks Herself and the World. Questions that often Hurt. "Nina Vangeli / Theater Newspaper