This event has been ended!
Mnozil Brass »Strau$$« / Bodanrückhalle Allensbach
Mnozil Brass »Strau $$« / Bodan Rückhalle Allensbach
Event by: Mnozil Brass
Location: Bodanrückhalle, Schulstraße 12a, Allensbach
Tickets: Get tickets
Concerts
About event
Strau $$ - A dance between the chairs
that the waltzes drunk "Duidu, Duidu" and his relaxed counterpart "Dudidubidu" actually only a stone's throw, not much more than "a warm embracing dance away" - that has been clear to the masters of Mnozil Brass for ages. For more than thirty years, the seven capacity with the greatest naturalness and their flashing blowers between Johann Strauss and Frank Sinatra back and forth, between Schostakovich and Prince or passionately from Schubert to their election relatives of Queen. The consecrated sublimity of the one side does not care any more than the supposed banality of the others. But Strauss - which both Brahms, Wagner and Verdi, the craftsmen and the girls from the suburb (and even a Gershwin) worshiped - he was the forefather of the nonchalant dye between the chairs. Strauss was the first to produce hits at the running meter, he took an arranger to work faster and understood that he could reproduce his sound worldwide with his brothers. He was the first of the E and u and became a mass phenomenon as a waltz king - the health insurers never rang sweetly. In Strau $$, Mnozil Brass really reveal everything about Strau $$. Also the last.
In the end there is nothing but the naked truth.
A project order from Johann Strauss 2025 Vienna
that the waltzes drunk "Duidu, Duidu" and his relaxed counterpart "Dudidubidu" actually only a stone's throw, not much more than "a warm embracing dance away" - that has been clear to the masters of Mnozil Brass for ages. For more than thirty years, the seven capacity with the greatest naturalness and their flashing blowers between Johann Strauss and Frank Sinatra back and forth, between Schostakovich and Prince or passionately from Schubert to their election relatives of Queen. The consecrated sublimity of the one side does not care any more than the supposed banality of the others. But Strauss - which both Brahms, Wagner and Verdi, the craftsmen and the girls from the suburb (and even a Gershwin) worshiped - he was the forefather of the nonchalant dye between the chairs. Strauss was the first to produce hits at the running meter, he took an arranger to work faster and understood that he could reproduce his sound worldwide with his brothers. He was the first of the E and u and became a mass phenomenon as a waltz king - the health insurers never rang sweetly. In Strau $$, Mnozil Brass really reveal everything about Strau $$. Also the last.
In the end there is nothing but the naked truth.
A project order from Johann Strauss 2025 Vienna