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Miles Kane - Berlin, Heimathafen Neukölln
Miles Kane - Berlin, home port Neukölln
Event by: Loft Concerts, FKP Scorpio, Heimathafen Neukölln, Miles Kane
Location: Heimathafen Neukölln, Karl-Marx-Straße 141, Berlin - Bezirk Neukölln
Tickets: Get tickets
About event
⭐ Exclusive pre-sale via Artist Presale from October 29th, 11 a.m.
⭐ General pre-sale start on October 31st, 11 a.m.
┃ MILES KANE
┇ March 11, 2026
┇ Home port Neukölln
┋ Entrance 7 p.m.
┋ Start 8 p.m.
ℹ loft.de/event/20260311-miles-kane/
ℹ short.fkp.de/mileskane
🎫 loft.de/x/0pdmg (LofTix)
🎫 loft.de/x/3xu52 (Eventim)
In the studio in Nashville, the smell of old wood and tube amplifiers hangs in the air. Between guitars, cables and half-empty coffee cups, Miles Kane sits with a notebook in his hand - a familiar image, but this time everything is different. For his sixth solo album “Sunlight In The Shadows”, the Brit, known as one half of the Last Shadow Puppets and former frontman of the Rascals, has embarked on a new journey: into the heart of the American South, into the creative care of Dan Auerbach, the mastermind of the Black Keys. What emerged sounds as if Kane captured the sun over Route 66 and poured it into twelve songs. “All roads, over 20 years, have led here,” says Kane about the album, which was released on October 17th via Easy Eye Sound. And indeed, “Sunlight In The Shadows” feels like the essence of a musical life: British soul meets psychedelic riffs, glam meets blues, Beatles meets Motown. Auerbach's signature style - warm, raw, retro - merges seamlessly with Kane's feel for catchy melodies and his slightly over-the-top crooner pose. “Love Is Cruel”, the opener, sounds like a forgotten piece from the seventies, while the Flamin’ Groovies cover “Slow Death” celebrates rock’n’roll with sparkling nonchalance.
Kane, who created orchestral pop dramas in the 2000s with Alex Turner in the duo The Last Shadow Puppets, is freer than ever here. Where previous albums balanced on the line between coolness and calculation, “Sunlight In The Shadows” seems like a liberation - or better: like a summer that never ends. “Dan and I were immediately on the same wavelength,” says Kane. “Two acoustic guitars, two notepads, no show – it was like going back to the practice room where it all began.” And that's exactly where he's headed again now: on stage. Because as much as Kane loves the studio, his music only really comes to life when it gets loud. When sweat drips, guitars scream and the bass vibrates. His concerts are not nostalgic throwbacks, but rather ecstatic celebrations of the moment. Anyone who has ever seen him live knows: he is an old-school frontman, someone who doesn't cheer the audience, but rather thrills them. In spring 2026, Miles Kane will also bring this spirit to Germany. Four concerts, four evenings full of energy, sweat and guitars: a promise to all those who still love rock with heart, hand and attitude. “It’s an album that needs to be played live,” says Kane. He will prove it from March.
⭐ General pre-sale start on October 31st, 11 a.m.
┃ MILES KANE
┇ March 11, 2026
┇ Home port Neukölln
┋ Entrance 7 p.m.
┋ Start 8 p.m.
ℹ loft.de/event/20260311-miles-kane/
ℹ short.fkp.de/mileskane
🎫 loft.de/x/0pdmg (LofTix)
🎫 loft.de/x/3xu52 (Eventim)
In the studio in Nashville, the smell of old wood and tube amplifiers hangs in the air. Between guitars, cables and half-empty coffee cups, Miles Kane sits with a notebook in his hand - a familiar image, but this time everything is different. For his sixth solo album “Sunlight In The Shadows”, the Brit, known as one half of the Last Shadow Puppets and former frontman of the Rascals, has embarked on a new journey: into the heart of the American South, into the creative care of Dan Auerbach, the mastermind of the Black Keys. What emerged sounds as if Kane captured the sun over Route 66 and poured it into twelve songs. “All roads, over 20 years, have led here,” says Kane about the album, which was released on October 17th via Easy Eye Sound. And indeed, “Sunlight In The Shadows” feels like the essence of a musical life: British soul meets psychedelic riffs, glam meets blues, Beatles meets Motown. Auerbach's signature style - warm, raw, retro - merges seamlessly with Kane's feel for catchy melodies and his slightly over-the-top crooner pose. “Love Is Cruel”, the opener, sounds like a forgotten piece from the seventies, while the Flamin’ Groovies cover “Slow Death” celebrates rock’n’roll with sparkling nonchalance.
Kane, who created orchestral pop dramas in the 2000s with Alex Turner in the duo The Last Shadow Puppets, is freer than ever here. Where previous albums balanced on the line between coolness and calculation, “Sunlight In The Shadows” seems like a liberation - or better: like a summer that never ends. “Dan and I were immediately on the same wavelength,” says Kane. “Two acoustic guitars, two notepads, no show – it was like going back to the practice room where it all began.” And that's exactly where he's headed again now: on stage. Because as much as Kane loves the studio, his music only really comes to life when it gets loud. When sweat drips, guitars scream and the bass vibrates. His concerts are not nostalgic throwbacks, but rather ecstatic celebrations of the moment. Anyone who has ever seen him live knows: he is an old-school frontman, someone who doesn't cheer the audience, but rather thrills them. In spring 2026, Miles Kane will also bring this spirit to Germany. Four concerts, four evenings full of energy, sweat and guitars: a promise to all those who still love rock with heart, hand and attitude. “It’s an album that needs to be played live,” says Kane. He will prove it from March.