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Konference: KOLEKTIVITA, SDRUŽOVÁNÍ, SPOLUPRÁCE V UMĚLECKÉ PRAXI
Conference: Collectivity, Association, Cooperation in Art Practice
Event by: Eva Vele, Bára Řepková, Rado Ištok
Location: Ústav dějin umění AV ČR, v. v. i. | Institue of Art History, Czech Academy of Sciences, Husova 4, Praha 1
About event
We cordially invite you to the conference organized by the student's second year of doctoral studies at the Faculty of Arts, Charles University in cooperation with the End of the Academy of Sciences.
The program here: htt PS: //www.udu.cas.cz/cz/akce/kolektivita-sdruzovani-spoluprace-v-umelecke-praxi-946
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Annotation:
The romantic idea of an artist as a lonely creative genius coexist with the reality in which artistic operation is based on more actors. Even the creative process itself may not always be individual-in addition to historical examples of collective work in workshops, art groups or interdisciplinary cooperation, the current theory of art is increasingly understood as a complex network of relationships, interaction and interaction (entanglement) between different human and non-human actors, materials or technologies. Generation waves of interest in association and collective practice encourage a new examination of the importance of collectivity, cooperation and related phenomena in art and its history. What leads the artist to associate, what were their motivation in the context of the time, what did the functioning in formal or informal collectives (or even collective work) brought and how were and their results were presented and understood? The conference aims to open these topics across history and present.
• What is the political dimension of collective or group art?
• What motivates artists to create teams? Is it creative and opinion exchange, resulting in a common artistic dialogue, or strategic branding?
• What did the motivation and results of cooperation between artists and non -artistic experts look or public look or look like?
• What led and leads artists to create common works (more hands) and what are the results of this work?
• When artists employ qualified experts to make their ideas of the authorship of the resulting artifact physically (or digitally)? Who are invisible creators and collaborators behind the creation of the work?
• What does creative cooperation with non -Mimolid actors - artificial intelligence, other technology, animals or natural processes looks like? Is it a common work in such cases, or is it just the use of other means?
• What is the influence and role in the creative groups of cooperation with curators and theorists? How did the understanding of their roles evolve and how much can the theoreticians involve in the production of works or their presentation with a creative act?
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The term and place of the conference:
The conference will take place on June 10, 2025
room 117, 1.
The program here: htt PS: //www.udu.cas.cz/cz/akce/kolektivita-sdruzovani-spoluprace-v-umelecke-praxi-946
_ _ _
Annotation:
The romantic idea of an artist as a lonely creative genius coexist with the reality in which artistic operation is based on more actors. Even the creative process itself may not always be individual-in addition to historical examples of collective work in workshops, art groups or interdisciplinary cooperation, the current theory of art is increasingly understood as a complex network of relationships, interaction and interaction (entanglement) between different human and non-human actors, materials or technologies. Generation waves of interest in association and collective practice encourage a new examination of the importance of collectivity, cooperation and related phenomena in art and its history. What leads the artist to associate, what were their motivation in the context of the time, what did the functioning in formal or informal collectives (or even collective work) brought and how were and their results were presented and understood? The conference aims to open these topics across history and present.
• What is the political dimension of collective or group art?
• What motivates artists to create teams? Is it creative and opinion exchange, resulting in a common artistic dialogue, or strategic branding?
• What did the motivation and results of cooperation between artists and non -artistic experts look or public look or look like?
• What led and leads artists to create common works (more hands) and what are the results of this work?
• When artists employ qualified experts to make their ideas of the authorship of the resulting artifact physically (or digitally)? Who are invisible creators and collaborators behind the creation of the work?
• What does creative cooperation with non -Mimolid actors - artificial intelligence, other technology, animals or natural processes looks like? Is it a common work in such cases, or is it just the use of other means?
• What is the influence and role in the creative groups of cooperation with curators and theorists? How did the understanding of their roles evolve and how much can the theoreticians involve in the production of works or their presentation with a creative act?
_ _ _
The term and place of the conference:
The conference will take place on June 10, 2025
room 117, 1.